Tasting skin. On chilis and chills

Karin Harrasser

Taking a kitchen painting by Diego Velázquez as a starting point, this week’s lecture explored how the tactile sense could be understood as a multimodal experience deeply connected to the social and the sensus communis (common sense). Building on this, the presentation examined the skin as a profoundly political organ. It was discussed as a semipermeable membrane that mediated between the body and the outside world, allowing for joy and care while simultaneously making us vulnerable in both positive and dangerous ways.

Diego Velazquez, Christ in the House of Martha and Mary, national Gallery of London

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